· SIGNAL INTERCEPTED · LOGGING ENABLED · ANOMALY THRESHOLD ACTIVE

GORELOGGERS MK.5 V3.2 🜛

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Blank Image Stream #343

⚝ Intercepted At June 30, 2026

Cuntitled #76
Affairs Mk. 3 LXIV / Promenades ajoutées III (Impression from a Ramadan Night)

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #342

⚝ Intercepted At June 30, 2026

Cuntitled #75
Nachtstücke Mk. 2 XX / Inert Sentinel

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #341

⚝ Intercepted At June 30, 2026

Cuntitled #74
Nachtstücke Mk. 2 XIX / Ohne Titel VII

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #340

⚝ Intercepted At June 30, 2026

Cuntitled #73
Nachtstücke Mk. 2 XVIII / Ein Echo im Geist eines anderen

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #339

⚝ Intercepted At June 30, 2026

Cuntitled #72
Affairs Mk. 3 LXIII / Promenades ajoutées II

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #338

⚝ Intercepted At June 30, 2026

Cuntitled #71
Affairs Mk. 3 LXII / Closing Time

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #337

⚝ Intercepted At June 30, 2026

Cuntitled #70
For Tsai Ming-liang III / I Don't Want to Sleep Alone III

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #336

⚝ Intercepted At June 30, 2026

Cuntitled #69
Nachtstücke Mk. 2 XVII / Ohne Titel VI

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #335

⚝ Intercepted At June 30, 2026

Cuntitled #68
Melancholia Mk. 2 LVI / Cora

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #334

⚝ Intercepted At June 30, 2026

Cuntitled #67
Affairs Mk. 3 LXI (#2) / 無題

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #333

⚝ Intercepted At June 27, 2026

Cuntitled #66
Melancholia Mk. 2 LV / হেঁà§Ÿালি

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #332

⚝ Intercepted At June 27, 2026

Cuntitled #65
Melancholia Mk. 2 LIV / Crave

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #331

⚝ Intercepted At June 27, 2026

Cuntitled #64
Affairs Mk. 3 LXI / New Meat (For Old Stomach)

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #330

⚝ Intercepted At June 27, 2026

Cuntitled #63
Nachtstücke Mk. 2 XVI / Ohne Titel V

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #329

⚝ Intercepted At June 27, 2026

Cuntitled #62
Tenebrae Eternae XI / Lumen

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #328

⚝ Intercepted At June 27, 2026

Cuntitled #61
In memoriam Bryn Jones IV / Narcotic II

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #327

⚝ Intercepted At June 27, 2026

Cuntitled #60
Datura Maneuvers V / I'll Love You, in the City of Men (Words I Heard)

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #326

⚝ Intercepted At June 27, 2026

Cuntitled #59
Affairs Mk. 3 LX / Concurrent Affairs III (The Chairperson, Revisited)

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #325

⚝ Intercepted At June 27, 2026

Cuntitled #58
Sojourn XIV / Radiate/Linger

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #324

⚝ Intercepted At June 27, 2026

Cuntitled #57
Passengers in the Twilight VI / Courage (the Cowardly)

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #323

⚝ Intercepted At June 27, 2026

Cuntitled #56
Nachtstücke Mk. 2 XV / Ohne Titel IV

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #322

⚝ Intercepted At June 27, 2026

Cuntitled #55
Melancholia Mk. 2 LIII / Impasse

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #321

⚝ Intercepted At June 27, 2026

Cuntitled #54
Semilog Mk. 2 VI / Cerulean Transience of All My Imagined Shores

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #320

⚝ Intercepted At June 27, 2026

Cuntitled #53
In memoriam Mark Rothko XII / Sans titre I

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #319

⚝ Intercepted At June 27, 2026

Cuntitled #52
Ontopology XLI / Écoutez, Répètez

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #318

⚝ Intercepted At June 27, 2026

Cuntitled #51
Affairs Mk. 3 LIX / As I Was Moving...

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #317

⚝ Intercepted At June 27, 2026

Cuntitled #50
Mysterious Semblance Mk. 2 II / শশিভূষণ III

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #316

⚝ Intercepted At June 27, 2026

Cuntitled #49
Melancholia Mk. 2 LII / Stellet II

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #315

⚝ Intercepted At June 27, 2026

Cuntitled #48
Affairs Mk. 3 LVIII / Ricordi della casa gialla III

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #314

⚝ Intercepted At June 27, 2026

Cuntitled #47
In memoriam Clayton Counts & For Neil Keener Mk. 2 XVI / How Strangely Still the Water is Today II

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #313

⚝ Intercepted At June 27, 2026

Cuntitled #46
In memoriam Thomas Bernhard II / Das Kalkwerk

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #312

⚝ Intercepted At June 27, 2026

Cuntitled #45
Melancholia Mk. 2 LI / Duidelijk III

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #311

⚝ Intercepted At June 27, 2026

Cuntitled #44
Affairs Mk. 3 LVII / Shrimp Sushi

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #310

⚝ Intercepted At June 27, 2026

Cuntitled #43
Affairs Mk. 3 LVI / Heritage Sweets

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #309

⚝ Intercepted At June 27, 2026

Cuntitled #42
For Roger Karmanik XXI / A Dagger in My Body in My Garden II

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #308

⚝ Intercepted At June 27, 2026

Cuntitled #41
Out of Cold Storage XI / Radio Gra

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #307

⚝ Intercepted At June 27, 2026

Cuntitled #40
In memoriam Jonas Bergqvist VI / Twitch

⬥ signal residue detected ⬥ post integrity nominal ⬥
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প্রথম আলো, ১ম পর্ব (First Light: Part I) — Prologue M

⚝ Intercepted At June 20, 2026

 I. (Cont.)


Vanumoti began working the chandan again and whispered, "If you don't take me with you today, I won't embark on the pyre with you..".

Birchandra turned distracted for a moment. As if he looked within himself, felt every organ to its end. He sighed, "Vanu, you spoke of my death on this day?"

Vanumoti answered at once, "No, not at all. I won't go to the pyre because I will be long dead before that. Trust me, I will!"

Smiling mildly with a raised brow, the king said, "What in the world?!! Don't you know how much virtue you could get from being a Sati? Dhanyamanikya's archqueen Kamala gets worshipped in every household. You are my archqueen, only you have the fortune to go into death with me. No other queen has that".

Vanumoti replied, "I don't need that fortune. I will die before that, I must! That owl-faced, spited, ill-born Rajeshwari; that witch, that bastard, husband killing Rajeshwari can burn in your pyre, I'll watch from heaven!"

Birchandra bursted out in a laughter this time.

Birchandra knows that it is not surprising that wives will have a relation of aggression, jealousy and spite amongst themselves. There was even a prior incident of one queen poisoning another, in this very palace. But no queen dares to reveal animosity towards another in front of the king. Krishnakishor Manikya, father of Birchandra, had banished a queen for her insolent mannerisms during his reign. Birchandra too does not bother himself about the queens' internal unrest whatsoever, it is outright forbidden to even bring up such matters before him. But Vanumoti's words are autonomous, she's his adolescent sweetheart after all! It does not make sense to govern her.

Still caught in a near-frenzy of laughter, he said, "Husband killing bastard! Such uncivil words! Do you know what the people think? That everyone in the palace speaks in standard language. Does not bring swearwords to their mouths at all. I can't with you anymore, Vanu! You know, by now, any other queen would have payed with their heads for uttering this kind of words to me!"

Vanumoti arose and quickly brought a sword from around the corner. Wrapped in a jewelled sheath, this sword is called Nimcha. It is said that Birchandra's ancestor King Gavindamanikya was gifted this sword by Sultan Suja, son of Delhi's emperor Shahjahan. Even though the kings of this dominion only dress in plain cotton clothing on the Hasham Feast, it is obligatory to take this sword with them.

Vanumoti unsheathed the majestic blade, "Go ahead, kill me right now. I will get rid of all the distress finally, then. You are going to announce Radhu as the crown prince today, aren't you?"

The jestfulness on Birchandra's face was replaced by annoyance this time. Is there no way to keep secrets anymore?!! That he will announce Radhakishor, eldest son of his second wife Rajeshwari, as the crown prince should be known by only two person, according to his knowlesge. Even Rajeshwari herself does not know about it. How has this news even reached Vanumoti?

Birchandra said, in a serious tone, "Your son too will be the grand Thakur. I have broken a law just to please you!"

"I don't want that, No, I don't. I will send Samar to Kolkata—"

Both of them were cut off by a sudden sound, which forced their eyes towards the door.

Cuntitled #39
In memoriam Vern Rumsey & For Justin Trosper and Sara Lund II / All Souls Day

⬥ signal residue detected ⬥ post integrity nominal ⬥
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প্রথম আলো, ১ম পর্ব (First Light: Part I) — Prologue L

⚝ Intercepted At June 19, 2026

 I. (Cont.)


Mahadevi Vanumoti is the archqueen of this kingdom. Vanumoti is nearly the same age as the king and at the time of their marriage, both of them were adolescents. Before she was his soulmate, she passed time as his playmate. That dynamic still persists to this day, more or less. There are other queens younger and more beautiful than her, and the king often visits the quarter of one or the other of them to spend the night; but Vanumoti gets frequent visits, even in the daytime because none of the other matches the archqueen in terms of playfulness that the king is always craving. In the grand, private chamber, Vanumoti does not always behave with solemn respect with King Birchandra but, more on the contrary, pokes the king with acrid mockery a little bit too often to be considered isolated cases. One day, she was sobbing and circling the master bed as the king desperately tried to console her theatrical glumness with songs; a few of the servants catching this sight from hidden corners were nearing loss of sense from utter surprise. To think such a mighty and at times, cruel sovereign could be reduced to childlike behaviours at times!

Mahadevi Vanumoti is of sound health; marks of aging have yet to show up on her skin, and there's a certain ferocity of youth still looming on her face; her eyes are rather wide compared to the usual Monipuri. Even though she's effectively entered the later period of her life, the gay restlessness of youth adorns her voice still.

Putting droplets of chandan on the king's forehead, Vanumoti stated mildly, "Today I'll go with you".

Not breaking out of his song, King Birchandra gestured with his eyes, asking, "where?".

Vanumoti said, "I'll go with you to the Hasham feast. I'll sit beside you".

The King was taken aback slightly. He tilted his head to look at the queen straight, "Another day, another bout of madness, huh?"

Vanumoti swiftly replied, "what madness is here at all? Can the queen not be beside her king?"

Birchandra began caressing her chin gently, "Oh, you remain a child still, Vanu! Is there any custom in our lineage where the queen comes in front of the public eye?... Are you done with preparing me? Can't be anymore late, the day's falling".

Vanumoti smiled sharply, "Yes, at least on one day the queen comes in public beside the king. Don't they? Although the king doesn't notice that... But thousands upon thousands of citizen do. Other than that one day, why, why can't I go out with you?"

To shift the topic, the king said, slightly awkwardly, "Oh, where is my Nimcha?.. I have to be there soon".

Vanumoti replied, "Your preparation is still not done. Sit down quietly..."


Cuntitled #38
Ontopology XL / Immanuel Focus

⬥ signal residue detected ⬥ post integrity nominal ⬥
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প্রথম আলো, ১ম পর্ব (First Light: Part I) — Prologue K

⚝ Intercepted At June 16, 2026
I. (Cont.)


The King inspected the white boy again closely and his brows contorted slightly. He usually pays heed to Shashibhusan's words. He then summoned a servant named Harihar and asked him to gather information regarding the boy's prescence.

The King did not remain there for long afterwards. A servant just has come in saying that the archqueen is waiting for him.

Today, the queen herself, as per tradition, takes up the duty to dress the King. All day long, she made garlands on her own, assembled rosewater and chandan too. Maharaja Birchandra Manikya is a Vaishya by heart, during the feast he will not dress in royal outfit and forego wearing the crown as well. Mahadevi Vanumoti began dressing the King, while he murmured excerpts from a tune. The King is a fanatic for music and his singing voice is equally excellent.

Regarding the exact number of wives and subwives bethroted to him, even the King himself would be in confusion. Many times, due to political and diplomatic reasons, it becomes necessary to form spousal bonds with neighbouring kingdoms; daughters from many intrastate provinces of Assam and Tripura are in the capital as his wives. Aside from that, many tribal leaders arrange young women for him as gifts and they eventually make their place in the royal palace. They are called Kachua and a few of them sometimes, although rare, gain the king's favours. Without an official wedding however, the Kachua do not get recognised as the King's wives in the palace.

Cuntitled #37
Nachtstücke Mk. 2 XIV / Cold Lamping II

⬥ signal residue detected ⬥ post integrity nominal ⬥
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প্রথম আলো, ১ম পর্ব (First Light: Part I) — Prologue J

⚝ Intercepted At June 15, 2026
I. (Cont.)


However, for people not used to seeing through a monocular, focusing can be a hurdle. Jadunath said in an embarassed manner, "Oh it is sky I'm seeing?", "Now?", "Still the sky.. No, no, I can see, so many trees. Ba, the trees got so near!"

Taking the monocular away from Jadunath and towards his own eyes again, Shashibhusan said, "some are dark in a shiny way, some have textured skin. There are tribes with an earthen complexion as well. The women of the Orang and the Lusai have different types of breastplates. The Kukis have an generally aggressive aura with the weapons in each's hand..."

He suddenly stopped narrating as he was viewing through the monocular. He focused in one corner and observed for a moment before murmuring "Strange! Strange!.."

Daylight is beginning to die, soon the window of capturing a well-exposed photograph would be over. The King exited the camera's black vessel and asked Shashibhusan as he stood up straight, "Mr. Singh, what strangeness have you seen?"

Shashibhusan said, "My Lord, would you too not be surprised were you to see a tiger cub in a flock of sheep? I'm seeing something like that."

The King raised his eyebrows a little, "Is that so? a cub?"

Shashibhusan replied, "Have a look here. Right there from the Lusai's tents, some measures behind from there."

As Shashibhusan tried to offer the King his monocular, a few of three or four present in the verandah got busy, "what are you doing?! what are you doing?!". The King smiled mildly and simply made a gesture with his hand. The Bengali gentleman did not know that the King does not touch objects used by others.

A servant quickly brought the King's own monocular.

The King aligned it with his viewing eye and began observing the Lusai entourage. A moment later he said, "hmm.. I see a light-skinned boy. Why did you think he is a cub?"

"It is just not the skin, look at the hair. He could be an English. Why is he here?"

The King said with his eye still on the monocular, "Could be the child of a missionary. Mr. Singh, I don't view my subjects as a flock of sheep. Why are you so bothered by a light-skinned boy?"

"Simply a metaphor, could be said in a different way. A snake in a garden. My Lord, I know that the missionaries have started spreading Christianity in your dominion. But have you invited them here? My Lord, I know the padres well, in my home, Krishnanagar, I have seen them.. in Kolkata too. They take gullible people into their churches. Are they sending their message into the King's capital as well?..."

Cuntitled #36
In memoriam Toshio Matsumoto Mk. 2 III / Shift III

⬥ signal residue detected ⬥ post integrity nominal ⬥
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প্রথম আলো, ১ম পর্ব (First Light: Part I) — Prologue I

⚝ Intercepted At June 14, 2026
I. (Cont.)

On the venue in front, in a corner, there is a canopied structure where 10 giant cauldrons are put to prepare meal for the feast. Khichuri and Payeshanna, only these two dishes for everyone to their stomach's desire; it will take nearly the whole night for everyone to be fed. Each person takes the sitting for dinner after the nightfall and nigh wants to get up before the dawnbreak. There's a decree straight from the King: everyone is entitled to eat as much as they want. Some of them wants to satiate the whole year's hunger on this one night as if. In the morning, people dozed off with the leftover in front would be seen everywhere in the venue.

Maharaja is taking photographs from under a large black cloth. Among those standing close to him, one is called Shashibhusan Singh. In order to execute Tripura's governance and education, the King has employed several specialists, intellectuals and executives from Kolkata and Shashibhusan is the highest educated of them all. He is a B.A. graduate and a Brahmmo, and was involved with Deben Thakur's "Tattyabodhini" journal previously. He is the private tutor of the King's princes. Shashibhusan sometimes utters things that shock the others of the royal court, however, the King himself seems to have not just tolerance but genuine interest in those expressions. Shashibushan is quite an articulate and convincing person.

Shashibhusan is of fair complexion and inspiring masculinity, and very sharp in attitude. He is equally luxurious about his daily wearables: bleached white dhuti and pantalon always seem to maintain their radiance and sparkle, brushed hair reaching the shoulders, in eyes are thin-rimmed glasses of a golden frame. As he was inspecting the imminent feast with a monocular, his hand reached for the shoulder of another beside him. This man is Jadunath Bhattacharya, an accomplished maestro belonging to Vishnapur House of Classical Music; he's a vital member of the King's court. Shashibhusan asked him: "Mister Bhatt, you have been in this kingdom for so long, let us see, can you recognise these tribes seperately? For instance, could you pick apart the differences between the Noyatiya and the Orang, eh?"

Jadunath is a gentle, calm type of person; outside of his interest and expertise— music, he did not concern himself with nor understood much of the things out there. In a slightly silly manner, he replied: "Uhm, how would I know? Appears the same to me."

Shashibhusan insisted, "Look closer. Put more concentration, please."

Jadunath replied, "All I see is an endless view of heads. I can't even tell the men and women apart from here".

This time, Shashibhusan suspended the monocular in front of Jadunath's eyes: "can you look closer again?"

Cuntitled #35
Affairs Mk. 3 LV / Gifzi Iconic Brand

⬥ signal residue detected ⬥ post integrity nominal ⬥
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প্রথম আলো, ১ম পর্ব (First Light: Part I) — Prologue H

⚝ Intercepted At June 14, 2026

 I. (Cont.)


The subjects will not know, that today Maharaja Birchandra Manikya will take photographs from the verandah of the palace. Today, representatives from each tribe under his dominion will gather at the capital; just the perfect occassion. Recently he brought a new camera from Bavaria, it was marketed as being highly capable of telephoto shots; the King will get to test the new gear out as well.

Some bands have arrived already. To faciliate their hosting, the grand courtyard in front of the palace is ready, with tents and spaces specified according to the royal guests' tribal identities. Each of the present bands was coming forth under the verandahs of the Royal Palace, shouting exaltation in name of the King; before settling into their designated spaces. During this time of tribal induction into the ceremony, there existed no custom for the King to be present amidst; the tribes are functionally pledging loyalty to the palace itself. After the sunset, when the moon of Dashami springs onto the sky, then the King, belonging to the mythical Chandra pedigree, will arrive at the courtyard, standing on a moderate platform to address the head of each tribe and accept their gifts. Registry is not obligatory today. The grand feast's expenditure was arranged entirely from the royal treasury; but no matter how poor these simple tribesmen were, they would not arrive at the King's palace empty-handed. After the induction and reception is through, the King will have dinner with the tribesmen on a giant rosette in the courtyard.

This tradition has been observed officially since time long forgotten: Hasham Feast on the day of Bijaya Dashami. Some like to call it Ashama Feast, weighing towards a more standard language. Among these many tribes, there were many disparities across a large number of metrics and criteria. Almost everyone was below the poverty line and in half-garments; regardless, some of them consider their own to be of a higher caste than some others. There was no social tolerance towards marriages between would-be spouses of different tribes. Just a few days ago, a Chakma dame looking to put garlands on a Halam youth drew the ire of the local Chakma community. Consequently, both of them were chased down and lynched by the angry mob. The Halam community was discriminated against by many others in the region; because they belonged to the slave class and they had no independent livelihood. On the contrary, the Halam proudly state that this grand feast on Bijaya Dashami is actually the Halam Feast. Once upon a time, Tripura military was primarily composed of Halam tribesmen; hence, they are not slaves but first-line servers of the King as his warriors and, exactly due to that reason, the Maharajas of the royal bloodline have observed this annual dinner throughout the ages. Whichever the traditional root might be, and regardless of the prior rules, Maharaja Birchandra Manikya wants to unite all the tribes on this day and, by example of the feast partaken by all, neutralise any kind of perceived discrimination between them. He wants to remind them that each tribe is united under the larger body of the kingdom.

Cuntitled #34
Nowhere/Nothing XI / When Your Heroin(e) Has Gone

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #306

⚝ Intercepted At June 12, 2026

Cuntitled #33
Melancholia Mk. 2 L / Stranded

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #305

⚝ Intercepted At June 12, 2026

Cuntitled #32
Nowhere/Nothing X / Midnite Crawleers

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream.#304

⚝ Intercepted At June 12, 2026

Cuntitled #31
In memoriam Ernest Hemingway II / For Whom the Bell Tolls II (Robert and María Under the Smog, Day 3)

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #303

⚝ Intercepted At June 12, 2026

Cuntitled #30
In memoriam Jibanananda Das IV / নির্জন স্বাক্ষর II

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #302

⚝ Intercepted At June 12, 2026

Cuntitled #29
Melancholia Mk. 2 XLIX / Sonder II

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #301

⚝ Intercepted At June 12, 2026

Cuntitled #28
Portraits XII / Cold Lamping

⬥ signal residue detected ⬥ post integrity nominal ⬥
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Blank Image Stream #300

⚝ Intercepted At June 12, 2026

Cuntitled #27
Melancholia Mk. 2 XLVIII / Geheimnis II

⬥ signal residue detected ⬥ post integrity nominal ⬥

Non-Resolved Instances